Wicked is a prequel to the classic “Wizard of Oz” story, told from the perspective of Elphaba, the green-skinned woman who becomes the Wicked Witch of the West, and Glinda, the popular and beloved Good Witch. They meet as students of Shiz University. Elphaba stuns other students with her outstanding magical ability, while Glinda struggles to perform magic. The two become roommates, initially despising one another but shortly forming an unlikely friendship.
Glinda and Elphaba’s bond is tested by social and magical obstacles, as the movie concludes with the witches’ confrontation with the Wizard of Oz, Elphaba’s idol-turned-enemy. She rebels, while Glinda sides with the Wizard of Oz, who is well-liked by the rest of society. The movie is the first act of a larger story, concluding just as the intermission happens in the “Wicked” Broadway show.
The movie stuns with its brilliant colors, special effects and most notably: an unforgettable cast. With Cynthia Erivo and Ariana Grande leading the Broadway-turned-film adaptation, it’s no wonder audiences are rushing to theaters to catch this decades-old tale. Among other characteristics, the film’s aesthetic appeal stands out the most. The costumes, designed by Paul Tazewell, curate a whimsical wardrobe for Glinda and somber attire for Elphaba. In addition to their wardrobes, the thematic colors of the two characters create beautiful visual contrasts that help viewers distinctly remember who society loves and hates. During the memorable ballroom scene, Glinda spins happily in her shimmering gown, while Elphaba intimidates in her memorable black dress and hat. The costumes remain true to the original story and Broadway show. The beloved representation of an underdog taking the spotlight and standing for their values carries beautifully from the stage onto the big screen with Elphaba’s powerful solo performance of “The Wizard and I.”
Other stars such as Jonathan Bailey (portraying Fiyero Tigelaar), known for his role as Anthony Bridgerton from “Bridgerton,” bring even more attention to the film. The film captures smaller nuances that are not possible to enact on stage, such as a closer look at Elphaba and Fiyero’s interactions, compared to the faraway glance when viewing a live performance. The “Wicked” film adaptation has been closely scrutinized and compared to its stage predecessor. Still, vocals stun in both mediums. Although Erivo’s vocal ability shines during “Defying Gravity,” it lacks the power of Idina Menzel’s performance. Furthermore, Grande’s Glinda felt lackluster next to Kristin Chenoweth’s iconic performance of “Popular.” While Grande has impressive vocals, her stage performance does not live up to Chenoweth’s original presence. The depth of Chenoweth’s voice outshines the thin and breathy voice of Grande, especially apparent during the long belts of “No One Mourns the Wicked” and “Popular”.
Does “Wicked” live up to fan standards and its predecessors? Yes, but that isn’t something to be impressed by. The live performance is much more difficult to deliver well and garner emotion from the audience, and comparing the two, it is hard to say the “Wicked” film adaptation made significant improvements to the original Broadway show.
Rating: 7.5/10.
